Categories
All posts

A guide to the Perverted Ideologies: A Review of Fordulat #30

Culture is everywhere. It is present in the factory, in the bank, in the households, on the stage, in the museum and in the school. It is in the books, in the consciousness of the classes as well as in the ways we understand the world. It is in the style of the buildings, in […]

Categories
All posts

The Witches of the Unwanted Colonies

This interview was initially published by Kohl Journal as part of its “Anticolonial Feminist Imaginaries” issue. What does it mean to be a feminist in an unwanted colony,[1] a place deemed unworthy of territorial conquest or even integration into a European polity, yet too dangerous or unstable to be left alone? I explore this question […]

Categories
All posts

“Art Work: Invisible Labour and the Legacy of Yugoslav Socialism”

In her book -— Art Work: Invisible Labour and the Legacy of Yugoslav Socialism (University of Toronto, 2021), Katja Praznik counters the Western understanding of art – as a passion for self-expression and an activity done out of love, without any concern for its financial aspects – and instead builds a case for understanding art […]

Categories
All posts

Works by major Ukrainian folk artists under attack in Ukraine

LeftEast reprints this piece from the Turkish gender, art, and politics platform 5Harfliler.com. In one of the first days of the ongoing invasion of Russia in Ukraine, the Russian troops burnt down the historical museum in Ivankiv, a town near Kyiv. The museum holdings included a collection of early-medieval archeological artifacts, rare Polissia (North Ukrainian […]

Categories
All posts

Contradictions in Russian Cultural Politics: Conservatism as an Instrument of Neoliberalism

Note from the editors: The following piece is scheduled to appear in the edited collection The Art of Civil Action, edited by Philipp Dietachmair and Pascal Gielen and published through Valiz in November 2017. Today, it is common to contrast the statism of today’s Russia with the Western neoliberal order, which is based on the […]

Categories
All posts

The Art of Empathy: An Interview with Russian Graphic Artist Victoria Lomasko

Victoria Lomasko is a fixture at Moscow’s trials and protests, documenting the tumultuous processes that shape today’s Russia. Not content to limit herself to the political life of the country’s capital, Lomasko travels around the country and through the former Soviet republics, exploring the domestic, psychological, and spiritual condition of its diverse marginalized groups. Sex […]

Categories
All posts

Refugees and the Image of Suffering: Why Does Nobody Listen?

From the diary of false faith in the outside world. Last year during my presence on the Balkan migrant route, I struggled with a number of new roles. First I was a volunteer at the borders, then all of a sudden I was to direct a documentary, and then I became a journalist, whose job was […]

Categories
All posts Theory

From over here, in the periphery: a decolonial method for Romanian cultural and political discourses

Note from the LeftEast editors: This article was originally published as part of the Gazette of Political Art (GAP) #12 „In the Name of the Periphery. Decolonial theory and intervention in the Romanian context” December 2015, coordinated by Veda Popovici and Ovidiu Pop. It is the first out of a small series of materials from this issue, which […]

Categories
Insert

Art and Politics in Russia in a Time of Crisis

On our trip to Moscow in June 2015, we met with Ilya Budraitskis, who spoke to us about the crisis facing Russia today and its effects on art and culture. Budraitskis’ argument is presented here alongside drawings by Sveta Shuvaeva, whom we also met while in Moscow. These works were made over the last two years […]

Categories
Insert

The Russian Revolution in Dreams and Reality

(source: WdW Review) In January 2014 the world held its breath and observed the opening of the Winter Olympics in Sochi. The spectacular opening ceremony, “Dreams of Russia,” was not simply a technical triumph but also a marvel of national history building. The depicted historical events acquired connections and a certain mutual continuity, building a […]