de Vlad Bolocan Pretty much so, yet in a robinhoodish way. It appears spontaneously, shocks and disappears. When, in 1969, Noroc sells 2,5 million copies of a four-tracks single, everyone starts searching for Moldova on the map – the guys in Siberia and the ones in Berlin. De ce plîng chitarele (Why are the Guitars Crying) reaches the 6th place in […]
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de Petru Negură Identity and Cultural Conflicts One of the main tasks attributed to Soviet Moldovan writers and “creative intellectuals”, from the creation of the first literary organization of the Moldovan Autonomous Soviet Socialist Republic (MASSR) up until the collapse of the Soviet Union in 1991, was to create a system of cultural values (around […]