The Sutjeska and Bijeljina monuments appear to stand for two profoundly divergent worlds, one symbolizing the cosmopolitan and antifascist past of socialist Yugoslavia, the other embodying the hyper-nationalist and segregationist present of post-Yugoslav states. Yet both monuments were made by the same sculptor. As I walked away, my stomach still churning, my first thought was not “How could this be?”, but “Oh no, not again.”
Antifascism Is Not a Monument
